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The Womb Realm is a very popular subject for mandalas, and along with the Diamond Realm (vajradhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Diamond Realm, form the core of Chinese Tangmi and Japanese Tendai and Shingon Buddhist rituals, including abhisheka "initiation".
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
It is a tapestry weave, typically using silk on a small scale compared to European wall hangings. Clothing for the court was one of the primary uses. The density of knots is usually very high, with a gown of the best quality perhaps involving as much work as a much larger European tapestry.
The thatched roof usually uses ijuk (black aren fibers), dried coconut or rumbia leaves, or sirap (hardwood shingles arranged like tiles) roof. [3] Stones and red bricks are usually used as foundations and walls, while sandstone and andesite stone are usually carved as ornamentation. Balinese people are known for their artistry.
Another Nepalese thangka with three dates in the inscription (the last one corresponding to 1369 A.D.), is one of the earliest known thangka with inscriptions. The "Mandala of Vishnu " dated 1420 A.D., is another fine example of the painting of this period. Early Nepalese Tangkas are simple in design and composition.
The Tenjukoku Shūchō Mandala (天寿国繍帳) is a Japanese work of textile art. It is the oldest known example of embroidery in Japan, dating back to 622 CE. It was created in honour of Prince Shōtoku , one of the earliest proponents of Japanese Buddhism .
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