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Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. [1]
George Clinton and Parliament-Funkadelic at the Roskilde Festival, 2006. In the early 1980s, George Clinton continued to record while battling with financial problems and well-publicized drug problems. The remaining members of Parliament-Funkadelic recorded the 1982 hit album Computer Games, which was released as a George Clinton solo album. [15]
Since the late 1950s, Parliament-Funkadelic and the associated P-Funk musical collective, often referred to as the "Funk Mob," have included a large number of musicians and singers. While some of their contributions have gone uncredited, the following individuals and bands contributed to various P-Funk projects ; most of them have been credited ...
Parliament Funkadelic featuring George Clinton will make a stop in Columbus on May 31, performing in Mershon Auditorium. Tickets go on sale Feb. 23
The leader behind the Parliament-Funkadelic collective was celebrated for influencing and impacting funk music. George Clinton, one of the most […] The post George Clinton becomes emotional as ...
Clarence ‘Fuzzy’ Haskins, an original member of Parliament-Funkadelic and a singer known for his wild stage antics, has died at the age of 81. No cause of death has yet been shared. Haskins ...
Octavepussy featuring George Clinton & Parliament Funkadelic - (The Life of The) Funkshipz Captain (Funk To The Max) George Clinton, Garry "Doo Wop" Shider, Michael "Kidd Funkadelic" Hampton, Dwayne "Blackbyrd" McKnight, Joel "Razor Sharp" Johnson, Gary "Mudbone" Cooper, Robert "P-Nut" Johnson, Greg Thomas
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]