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The album opens with a spoken word monologue by Funkadelic bandleader George Clinton, which refers to "the maggots in the mind of the universe". [7] According to legend, the opening title track was recorded in one take when Clinton, under the influence of LSD, told lead guitarist Eddie Hazel to play as if he had just learned his mother was dead; Clinton instructed him "to picture that day ...
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.
Compared to Funkadelic's earlier output, which was characterized by sound typical for rock music, this song has sound more typical for dance music. The lyrics refer to dancing as a way to freedom. The song opens with the lyrics "So wide, you can't get around it/ So low, you can't get under it/ So high you can't get over it."
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records.Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. [10]
Funkadelic was an American funk rock [1] band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton 's P-Funk collective , they helped pioneer the funk music culture of the 1970s.
The album consists of 3 discs comprising 33 tracks in total, which has been explained to mirror the 33 years that had elapsed since Funkadelic's last official album release in 1981, The Electric Spanking of War Babies. Like most of the Funkadelic catalog, the album features cover artwork by artist Pedro Bell.
The leader behind the Parliament-Funkadelic collective was celebrated for influencing and impacting funk music. George Clinton, one of the most […] The post George Clinton becomes emotional as ...
According to Funkadelic bandleader George Clinton, the guitar solo for "Get Off Your Ass and Jam" was performed by "a smack addict" guitar player who had found his way into the studio. He asked Clinton if he could play for some cash and proceeded to play "like he was possessed", soloing over the entire duration of the song.