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Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. [1]
Compared to Funkadelic's earlier output, which was characterized by sound typical for rock music, this song has sound more typical for dance music. The lyrics refer to dancing as a way to freedom. The song opens with the lyrics "So wide, you can't get around it/ So low, you can't get under it/ So high you can't get over it."
The album and its title track, a feedback-drenched number taking a third of the album's length, introduces the subversion of Christian themes explored on later songs, describing a mystical approach to salvation in which "the Kingdom of Heaven is within" and achievable through freeing one's mind, after which one's "ass" will follow.
One Nation Under a Groove is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records.Recording sessions took place at United Sound Studio in Detroit, with one song recorded live on April 15, 1978, at the Monroe Civic Center in Monroe, Louisiana. [10]
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
Funkadelic was an American funk rock [1] band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton 's P-Funk collective , they helped pioneer the funk music culture of the 1970s.
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic.This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter.
Standing on the Verge of Getting It On is the sixth studio album by Funkadelic, released on Westbound Records, released in July 1974. It is notable for featuring the return of guitarist Eddie Hazel. On this album, the lyrics generally take a backseat to the music and the jamming.