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In serious Spanish studies about bandolerismo and social disorders (very frequent in Andalusia in the 19th century), there is not a single mention of the Garduña. [ 4 ] [ 5 ] According to historian John Dickie , the Garduña was a fictional organisation that appeared from nowhere in a very popular French pulp novel published in 1845.
The Hunt (in Spanish La Caza) is a 1966 Spanish film directed by Carlos Saura. The film is a psychological thriller about three veterans of the Spanish Civil War who meet to go rabbit hunting . It was Saura's first international success, winning the Silver Bear for Best Director at the 16th Berlin International Film Festival .
Given the ambiguous meaning of "su/s", this is often avoided, and replaced by other forms that clearly state who owns the thing in question. So sentences like the following can be heard: la casa de él = "his house" (lit. "the house of him") la casa de ella = "her house" (lit. "the house of her")
The Spirit of the Beehive (Spanish: El espíritu de la colmena) is a 1973 Spanish drama film directed and co-written by Víctor Erice. The film was Erice's feature directorial debut and is considered a masterpiece of Spanish cinema. [1] The film, set in a small town in post-Civil War Spain, focuses on a young girl named Ana.
The tribute of 100 virgins (Spanish: tributo de las cien doncellas) is a Spanish national myth as part of the Reconquista ideology. The legend rests on a narrative of annual tribute of one hundred virgin maidens paid by the Christian kingdom of Asturias to the Muslim emirate of Córdoba.
[2] Against this reading, however, one might observe the story's claim that "the history of the sect records no persecutions", which cannot be true if the 'Secret' is homosexual intercourse. Moreover, the name of the sect associates it with the mythological Phoenix , suggesting regeneration and renewal of life: the more obvious analogy ...
Down These Mean Streets is a “book claimed by [many] literary traditions, such as U.S. Latin[@] literature or Hispanic literature of the U.S. and Puerto Rican literature written in English.” [16] Anne Garland Mahler of the University of Virginia, on the other hand, classifies Down These Mean Streets as “an autobiography and bildungsroman ...
The text specifically examines Jane Austen, Mary Shelley, Charlotte and Emily Brontë, George Eliot, Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson.. In the work, Gilbert and Gubar examine the notion that women writers of the nineteenth century were confined in their writing to make their female characters either embody the "angel" or the "monster", a struggle which they ...