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There the Latin text reads Beatus Ioannes Faesulanus, cognomento Angelicus—"Blessed John of Fiesole, surnamed 'the Angelic'". Vasari wrote of Fra Angelico that "it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety." [2]
The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole , central Italy . The background was repainted by Lorenzo di Credi in 1501.
The work was painted for a side altar in the Convent of San Domenico, Fiesole, where Fra Angelico was a friar.For the same church he also contributed the main altarpiece, showing the Virgin and Child Enthroned with Dominican saints (c. 1425) and the Coronation of the Virgin, now in the Louvre (c. 1424–1435) .
The work is not thought to have originally been painted around 1434 (a few years after the similar painting in the Uffizi) for the convent of San Domenico of Fiesole, near Florence, where Fra Angelico was a Dominican friar and for which he painted also the Fiesole Altarpiece (1424-1425) and the Annunciation now at the Museo del Prado.
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Art historians are agreed that the painting was produced over a considerable period, with significant changes in the composition, and contributions from a number of hands. While some are critical of the discordances this history has produced, [4] for John Walker, the second director of the National Gallery of Art, the result was
Unlike many works of the time from Arezzo, the painting depicts a range of rich colors. The colors vary from the green of the garden, to the rose and gold of the angel's clothes, to the blue and red of Mary, ending with the starry ceiling of the portico and the delicate marble decorations of the walls and floor.
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]