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"Moody's Mood for Love" (a.k.a. Moody's Mood) is a 1952 song by Eddie Jefferson, whose melody is derived from an improvised solo by jazz saxophonist James Moody (and a brief solo in the middle by pianist Thore Swanerud) on a 1949 recording of the 1935 song "I'm in the Mood for Love". [1]
Perhaps Jefferson's best-known song is "Moody's Mood for Love" which was recorded in 1952 by King Pleasure and catapulted the contrafact into wide popularity (King Pleasure even cites Jefferson as a personal influence). Jefferson's recordings of Charlie Parker's "Parker's Mood" and Horace Silver's "Filthy McNasty" were also hits. [2]
Moody's Mood for Love (1957) Last Train from Overbrook (1958) Moody's Mood for Love is an album by saxophonist James Moody recorded in 1956 and released on the Argo ...
King Pleasure first gained attention by singing the Eddie Jefferson vocalese classic "Moody's Mood For Love", based on a 1949 James Moody saxophone solo to "I'm In The Mood For Love". [1] Pleasure's 1952 recording, his first after signing a contract with the Prestige label, is considered a jazz classic; the female vocalist featured is Blossom ...
Moody had an unexpected hit with "Moody's Mood for Love", a 1952 song written by Eddie Jefferson, which used as its melody an improvised solo that Moody had played on a 1949 recording of "I'm in the Mood for Love". Moody adopted the song as his own, recording it with Jefferson on his 1956 album Moody's Mood for Love and performing the song ...
"Moody's Mood for Love" James Moody, Brian McKnight, Take 6, Rachelle Ferrell: 4:19 8 "Liberian Girl" Michael Jackson: 3:49 9 "Love Dance" George Benson: 3:18 10 "One Hundred Ways" James Ingram: 4:18 11 "Rock with You" Brandy, Heavy D: 4:09 12 "The Lady In My Life" Michael Jackson 4:58 13 "The Shadow of Your Smile (Love Theme from the Sandpiper)"
He is best remembered for an eight-bar improvised solo he made during a 1949 recording of "I'm in the Mood for Love", in a quintet headed by James Moody while Moody was touring Sweden. Eddie Jefferson created the 1952 song " Moody's Mood for Love " in vocalese style by adding lyrics to Moody's and Swanerud's solos in the recording, and the song ...
He signed off the air each night to the tune "Moody's Mood For Love" by crooner King Pleasure. Crocker coined the radio term " urban contemporary " in the 1970s, a label for the eclectic mix of songs that appealed to an urban audience of black listeners, Hispanics, whites and Asians.