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Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode , one of the traditional European church modes .
Bhairav is a popular raga for film songs. Here are some film songs based on Bhairav: "Amma Roti De Baba Roti De" – Sansar, 1952 "Hanse Tim Tim" – Sansar, 1952 "Mohe Bhul Gaye Sanvariya" – Baiju Bawra, 1952
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
Time of day: 6AM – 9AM ... Time: Early morning Film Songs. Language:Tamil. Note that the following songs are composed in Revati, the equivalent of raga Bairagi ...
Bhairavi is also one of the most common ragas in which ragam-thanam-pallavi is rendered, due to the scope for elaboration. There is a near-infinite number of compositions in this raga, which can be sung at any time of day. Ragas which have similar murchanas and/or anya swara patterns to Bhairavi include Manji, Mukhari, and Huseni.
Time of day: night, 9-12: Arohana ... Bhairavi; Todi; Purvi; Marva; Kalyan; Raga Bihag is a Hindustani classical raga (also spelled raag) belonging to the Bilawal thaat.
Bhairavi makes use of all the Komal swaras, Rishabh, Gandhar, Dhaivat, Nishad. When singing compositions in Bhairavi raga, the singers however take liberty to use all the 12 swaras . Bhairavi raga is named after the Shakti or feminine aspect of the cosmic life force, which is personified as a consort of Shiva ( Bhairava ).
Kafi is a sampoorna-sampoorna or heptatonic raga, with komal (half a note down) Gandhar (ga) and Nishad (ni). This is also referred to as the Bhairavi of night. Both Shuddha Nishad & Gandhar are occasionally used.