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Luke's gospel speaks of Jesus' feet being anointed by a woman who had been sinful all her life and who was crying; and when her tears started landing on the feet of Jesus, she wiped his feet with her hair. Also unique to Luke's version is the inclusion of the Parable of the Two Debtors in the middle of the event. An argument can be made that ...
A similar anointing is described in the Gospel of Luke [23] as occurring at the home of one Simon the Pharisee in which a woman who had been sinful all her life, and who was crying, anointed Jesus' feet and, when her tears started to fall on his feet, she wiped them with her hair. Luke's account (as well as John's) differs from that of Matthew ...
A Pharisee named Simon invites Jesus to eat in his house but fails to show him the usual marks of hospitality offered to visitors - a greeting kiss (v. 45), water to wash his feet (v. 44), or oil for his head (v. 46). A "sinful woman" comes into his house during the meal and anoints Jesus' feet with perfume, wiping them dry with her hair. Simon ...
Standing behind at his feet weeping, she began to wet his feet with her tears, and she wiped them with the hair of her head, kissed his feet, and anointed them with the ointment. Now when the Pharisee who had invited him saw it, he said to himself, "This man, if he were a prophet, would have perceived who and what kind of woman this is who ...
Many paintings show Mary washing, or just having washed, Jesus's feet, recalling the story in John 12.1–8 (which seems to be about Mary of Bethany). Via the story in Luke 7.36–50 (about an unnamed 'sinful woman'), however, Mary of Bethany was often conflated with Mary Magdalene, and this too may be reflected in art. [26]
These include the unnamed woman's head-anointing of Jesus in Bethany (Mark 14, Matthew 26), the sinful woman's feet-anointing (and hair-wiping) of Jesus in Galilee (Luke 7; these first two may have a common origin, the Lukan account likely being derived from Mark), Jesus' visit to Martha and Mary in the unnamed Galilean village , Jesus' parable ...
Inspired by Carter's "very empowered women," and characters' ability to "defy archetypes," her writing is brimming with subverted fairy tale tropes. They may not directly comment on the Grimms' approach to storytelling – there aren't straw-spinning damsels or demanding prince-frogs populating her pages .
The Magdalen's ointment jar was common in the lexicon of art in van der Weyden's period. Mary of Bethany may have used a jar when she repented of her sins at Christ's feet in her home; by the Renaissance, the image of the Magdalen was of the woman who bathed Christ's feet with her tears and dried them with her hair. [41]