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The pronunciation of such words, in many cases, a spelling pronunciation varies by speaker and gives rise to widely varying stylistic effects. [16] In particular, the gemination of consonants other than the liquids and nasals /m n l ʁ/ is "generally considered affected or pedantic". [ 17 ]
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
This is the pronunciation key for IPA transcriptions of French on Wikipedia. It provides a set of symbols to represent the pronunciation of French in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
"Entendre" is an infinitive verb ("to hear"), not a noun; a correct rendering would be "à double entente", an adjectival phrase meaning "of a double understanding or double interpretation" (literally, "with a double hearing"). The modern French phrase is "à double sens". in lieu (of)
The official chart of the IPA, revised in 2020. The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script.It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. [1]
French also shows enormous phonetic changes between the Old French period and the modern language. Spelling, however, has barely changed, which accounts for the wide differences between current spelling and pronunciation. Some of the most profound changes have been: The loss of almost all final consonants.
More recent borrowings are often distinguished by maintaining the French spelling and pronunciation, e.g. chef (vs. chief), pâté (vs. paste), fête (vs. feast). There are multiple doublets caused by the w → g and ca → cha sound changes, which happened in standard French but not Norman French.
Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.
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