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Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society , Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non- samurai castes ). [ 1 ]
In the 1980s, a new home in Japan cost 5-8 times the annual income of the average Japanese, and 2-3 times that of an average American. [9] The typical loan term for Japanese homes was 20 years, with a 35% down payment, while in the United States it was 30 years and 25%, due to differing practices in their financial markets.
Japanese design is based strongly on craftsmanship, beauty, elaboration, and delicacy. The design of interiors is very simple but made with attention to detail and intricacy. This sense of intricacy and simplicity in Japanese designs is still valued in modern Japan as it was in traditional Japan. [89]
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Because of this and other factors, Tokyo's current urban landscape is mostly modern and contemporary architecture, and older buildings are scarce. [1] Tokyo once was a city with low buildings and packed with single family homes, today the city has a larger focus on high rise residential homes and urbanization.
The Jutaku phenomenon rose in the 1990s as Japan's real estate sites grew increasingly smaller, both from the Japanese inheritance system and the island's growing population. [ 2 ] [ 1 ] According to the architect Kengo Kuma , the first traces of Jutaku appear in the writings of the poet Kamo no Chōmei and the description of his own small house.
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Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.
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