Search results
Results from the WOW.Com Content Network
The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). [1]: 209 Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility."
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eichenbaum, Roman Jakobson, Boris Tomashevsky, Grigory Gukovsky who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity ...
The Formalist’s Formalist: On Viktor Shklovsky by Joshua Cohen; Reading Viktor Shklovsky with a little bit about Jonathan Franzen by Martin Riker, Context #13; An excerpt from the essay "Art as Technique" (An alternate translation of "Iskusstvo kak priyom") Biography in "Энциклопедия Кругосвет" (in Russian)
Types of art techniques There is no exact definition of what constitutes art. Artists have explored many styles and have used many different techniques to create art.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
The Russian avant-garde is an umbrella term used to define the large, influential wave of modernist art that flourished in Russia from approximately 1890 to 1930. The term covers many separate, but inextricably related, art movements that occurred at the time; namely neo-primitivism, suprematism, constructivism, rayonism, and futurism.
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]