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Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
The Music of Andalusia encompasses a range of traditional and modern musical genres which originate in the region of Andalusia in southern Spain.The most famous are copla and flamenco, the latter being sometimes used as a portmanteau term for various regional musical traditions within Andalusia.
Malagueñas (Spanish pronunciation: [malaˈɣeɲas]) is one of the traditional styles of Andalusian music , derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century.
In Spain, music Has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions.
His performances helped popularize flamenco guitar music worldwide. [7] Montoya is credited with having transformed flamenco guitar music into a separate music style, beyond being a traditional dance accompaniment. [2] He adapted flamenco to other genres of music to create his own recognizable style, becoming an international star. [2]
Julián Arcas wrote several bolero pieces for guitar and greatly influenced both the bolero form and guitar playing in the context of classical music. [5] Louis James Alfred Lefébure-Wély wrote Boléro de Concert for organ in 1865. Hervé wrote a bolero for his operetta Chilpéric in 1868, which was immortalized in painting by Toulouse-Lautrec.