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Thatched Cottages at Cordeville, 1890 or Chaumes de Cordeville à Auvers-sur-Oise (literally Thatches of Cordeville at Auvers-sur-Oise) is an oil painting by Vincent van Gogh that was painted in May 1890 while living in Auvers-sur-Oise, France. [1]
Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning The Woodcutters Return. Thomas Gainsborough was the first British artist to employ cottages as a major subject, [1] [2] in what has become known as his "Cottage Door" paintings, painted during the final decades of his life; and was in the vanguard of a late 18th century fad of interest in them.
Reynolda House Museum of American Art, North Carolina [129] The Good Shepherd: 1848 Oil on canvas 81.3 by 121.9 centimetres (32.0 in × 48.0 in) Crystal Bridges Museum of American Art, Arkansas [130] Cross at Sunset: c. 1848: Oil on canvas 81.8 by 122.4 centimetres (32.2 in × 48.2 in) Thyssen-Bornemisza Museum, Madrid [12]
54.6 x 73.2 Philadelphia Museum of Art: The By Road at the Roches-Courtaut Woods – Indian Summer: 1881 59.2 x 81 Montreal Museum of Fine Arts: The Plain at Veneux-Nadon: 1881 50.5 x 65.3 Montreal Museum of Fine Arts: A February Morning at Moret sur Loing: 1881 50 x 65 Private collection Orchard in Spring: 1881 54 x 72
Smith College Museum of Art [2]: 336 Yosemite: Oil on canvas 34.3 cm × 48.2 cm (13.5 in × 19.0 in) Museum of Fine Arts, Boston [2]: 335 Irvington Woods: Woodland Sunset: Watercolor on paper 20.2 cm × 8.4 cm (8.0 in × 3.3 in) Los Angeles County Museum of Art, Los Angeles, CA IAP 02960281 [41] Sunset – Last Reflections – Cloud Study
Once a snug home for birds, this fairy turret of a cottage has been lovingly converted into a tiny but airy escape for two, with a bathroom on the first floor and a bedroom tucked up in the eaves.
Inspired by the work of Jean-François Millet and others working in the 'peasant' genre, Van Gogh became interested in representing peasant life in his art. To depict the essence and spirit of their life, he for a time lived as they lived, he was in the fields as they were, enduring the weather for long hours as they were.
Rousseau is widely recognized for his melancholic landscape paintings, which made extensive use of a muted color palette. [2] This reputation is reflected in Forest; set in Fontainebleau forest during a winter sunset, Rousseau's scene features a dense thicket of foliage set beneath a sallow sky. Deep colors are employed to add depth to the ...
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