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The women of later Anglo-Saxon England, outside of East Kent, mostly wore an ensemble of multiple layered tunics. These women were particularly well known for their embroidery and may have decorated their clothing with silk and wool embroidery or woven bands.
Women from the 14th century wore laced ankle-boots, which were often lined with fur. Later in the 15th century, women began to wear long-toed footwear styled on men's poulaines. They used outer shoes called pattens—often themselves with elongated toes during this era—to protect their shoes proper while outside. [34]
In these uses it gradually shrank in size and often became permanently attached to the clothing underneath, effectively just as an ornament, in its present form, as a part of academic dress, called an epitoge. In Italy it remained more current, more as a dignified form of headgear for older men, until about the 1520s.
Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection ...
Hose were generally tied to the breech belt, or to the breeches themselves, or to a doublet. [15] A doublet was a buttoned jacket that was generally of hip length. Similar garments were called cotehardie, pourpoint, jaqueta or jubón. [16] These garments were worn over the shirt and the hose.
Women of different classes performed different activities: rich urban women could be merchants like their husbands or even became money lenders; middle-class women worked in the textile, inn-keeping, shop-keeping, and brewing industries; while poorer women often peddled and huckstered foods and other merchandise in the market places, or worked ...
The Pre-Raphaelite Brotherhood became interested in the ideals and clothing of the Middle Ages and Renaissance. As a result, the bliaut as then understood is frequently featured upon women in their works. The most popular example of this particular garment in Pre-Raphaelite art may be The Accolade by Edmund Blair Leighton.
Braies are a type of trouser worn by Celtic and Germanic tribes in antiquity and by Europeans subsequently into the Middle Ages. In the later Middle Ages they were used exclusively as undergarments. Braies generally hung to the knees or mid-calf, resembling what are today called shorts. They were made of leather, wool, or, in later years ...
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