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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
Raymond Cauchetier (10 January 1920 – 22 February 2021) was a French photographer, known for his work as the set photographer from 1959 to 1968 on many films of the French New Wave. His photographs are an important record of the New Wave directors at the beginning of their careers, and of their unconventional and groundbreaking production ...
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Her contributions to the iconic French New Wave are only rarely acknowledged; alongside Agnès Varda, Delsol was one of only two women practitioners in the movement. She was married to Jean Malige. In 1955, Paula Delsol published an autobiographical novel Adieu et merci , inspired by her youth in Haiphong. [ 1 ]
Raoul Coutard (16 September 1924 – 8 November 2016) [1] was a French cinematographer.He is best known for his connection with the French New Wave (Nouvelle Vague) period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou (both 1965), and Weekend (1967).
Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991).
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Jacques Becker (French:; 15 September 1906 – 21 February 1960) was a French film director and screenwriter.His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement.