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The masculine one-on-one fighting of the epic is manifested in phalanx fighting with the emphasis on holding one's position in formation. This replaces the singular heroic competition found in the Iliad. [47]: 51 One example of this is the Spartan tale of 300 picked men fighting against 300 picked Argives. In this battle of champions, only two ...
Laertes, father of Odysseus.; Penelope, Odysseus' faithful wife.She uses her quick wits to put off her many suitors and remain loyal to her errant husband. Telemachus, the son of Odysseus and Penelope, who matures during his travels to Sparta and Pylos and then fights Penelope's suitors with Odysseus.
In The World of Odysseus, Finley presents a picture of the society represented by the Iliad and the Odyssey, avoiding the question as "beside the point that the narrative is a collection of fictions from beginning to end". [14]: 9 Finley was in a minority when his World of Odysseus first appeared in 1954. With the understanding that war was the ...
العربية; Aragonés; Արեւմտահայերէն; Azərbaycanca; تۆرکجه; বাংলা; Беларуская (тарашкевіца) Brezhoneg
Homeric Greek is the form of the Greek language that was used in the Iliad, Odyssey, and Homeric Hymns.It is a literary dialect of Ancient Greek consisting mainly of an archaic form of Ionic, with some Aeolic forms, a few from Arcadocypriot, and a written form influenced by Attic. [1]
In his prayer to Apollo (Iliad, I, 445–457), Chryses, a priest of the god in Anatolia, washes his hands and lifts them prior to requesting fulfillment of his wish. He admits his lower status in relation to the god, "who set your power about Chryse and Killa the sacrosanct, who are lord in strength over Tenedos" (Iliad, I, 451–3).
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...