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The earliest known unambiguously metrical texts, and at the same time the only metrical texts with a claim of dating to the Late Bronze Age, are the hymns of the Rigveda. That the texts of the Ancient Near East (Sumerian, Egyptian or Semitic) should not exhibit metre is surprising, and may be partly due to the nature of Bronze Age writing.
To put it more technically, such hymns have couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. If one counted all syllables, not just stressed syllables, such hymns follow what is called an 86.86 pattern, with lines of eight syllables alternating with lines of six syllables.
Found poem: a prose text or texts reshaped by a poet into quasi-metrical lines. Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2] English-language haiku: an unrhymed tercet poem in the haiku style. Lekythion: a sequence of seven alternating long and short syllables at the end of a ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
The metrical stresses alternate between light and heavy. [9] It is a heavily regular beat that produces something like a repeated tune in the performing voice, and is, indeed, close to song. Because of its odd number of metrical beats, iambic pentameter, as Attridge says, does not impose itself on the natural rhythm of spoken language. [10]
A caesura (/ s ɪ ˈ zj ʊər ə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins.
A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. [2] Verse in the uncountable sense refers to poetry in contrast to prose. [3]
Calvin did not approve of free religious texts (hymns) for use in church; the Bible was the only source of texts he approved (exclusive psalmody). Calvin endorsed only singing of metrical psalm texts, only in unison, only a cappella, with no harmonization and no accompanying instruments of any kind. Tunes for the metrical psalm versions came ...