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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
The homespun movement was started in 1767 by Quakers in Boston, Massachusetts, to encourage the purchase of goods, especially apparel, manufactured in the American Colonies. [1] The movement was created in response to the British Townshend Acts of 1767 and 1768, in the early stages of the American Revolution. [2] [3]
Arnold, Janet: Patterns of Fashion 1 (cut and construction of women's clothing, 1660–1860), Wace 1964, Macmillan 1972. Revised metric edition, Drama Books 1977. ISBN 978-0-89676-026-4; Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 978-0-8109-6317-7
Married women covered their hair with a linen cap, over which they might wear a tall black hat. Men and women avoided bright colours, shiny fabrics and over-ornamentation. Contrary to popular belief, most Puritans and Calvinists did not wear black for everyday, especially in England, Scotland and colonial America. Black dye was expensive and ...
Women played a major role in this method of defiance by denouncing silks, satins, and other luxuries in favor of homespun clothing generally made in spinning and quilting bees, sending a strong message of colonial unity to the British government.
1790s: Women: "age of undress"; [7] dressing like statues coming to life; [16] Greek fashion started to inspire the current fashion, and fillet-Greek classical hairstyles and high waisted clothing with a more triangular hem started to find its way; pastel fabrics; natural makeup; bare arms; blonde wigs; accessorized with: hats, Draped turban, gloves, jewelry, small handbags – reticules ...
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