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Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another.
The Province of New York was a British proprietary colony and later a royal colony on the northeast coast of North America from 1664 to 1783. It extended from Long Island on the Atlantic, up the Hudson River and Mohawk River valleys to the Great Lakes and North to the colonies of New France and claimed lands further west.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
By the 1620s, the Iroquois had become dependent upon iron implements, which they obtained by trading fur with the Dutch at Fort Nassau (modern Albany, New York). [17] Between 1624 and 1628, the Iroquois drove out their neighbors, the Mahican, to allow themselves to be the one people in the Hudson river valley able to trade with the Dutch. [ 17 ]
Beverwijck (/ ˈ b ɛ v ər w ɪ k / BEV-ər-wik; Dutch: Beverwijck), often written using the pre-reform orthography Beverwyck, was a fur-trading community north of Fort Orange on the Hudson River within Rensselaerwyck in New Netherland that was renamed and developed as Albany, New York, after the English took control of the colony in 1664.
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In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...