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Being and Nothingness: An Essay on Phenomenological Ontology (French: L'Être et le néant : Essai d'ontologie phénoménologique), sometimes published with the subtitle A Phenomenological Essay on Ontology, is a 1943 book by the philosopher Jean-Paul Sartre.
[6] Heidegger reportedly told Hubert Dreyfus that Sartre's work was "dreck." [7] Marjorie Grene found Sartre's discussion of "the problem of the relation between individuals" in Existentialism and Humanism to be weaker than the one he had previously offered in Being and Nothingness (1943). [8]
Jean-Paul Sartre's Being and Nothingness and Albert Camus' The Myth of Sisyphus discussed the topic. [1] Sartre and Camus expanded on the topic of absurdism. Camus wrote further works, such as The Stranger, Caligula, The Plague, The Fall and The Rebel. [6] Other figures include Martin Heidegger and Jacques Derrida.
Sketch for a Theory of the Emotions (French: Esquisse d'une théorie des émotions) is a 1939 book by the philosopher Jean-Paul Sartre. This work contains some of his thoughts about human and emotions. Some of his ideas later appeared in his masterpiece Being and Nothingness.
Situation (French: situation) is a concept developed by French philosopher Jean-Paul Sartre. It refers to "how ritualized action might be avoided or at least confronted consciously as contrary to the subject's freedom of nihilation". [1] It was first expressed in his 1943 work Being and Nothingness, where he wrote that:
Joseph S. Catalano, A Commentary on Jean-Paul Sartre's Being and Nothingness, University of Chicago Press 1985. Sartre, Existentialism is a Humanism (L'existentialisme est un humanisme) 1946 lecture; Engels, Schelling's Revelation, 1841, in MECW Volume 2, p. 181ff; Stanford Encyclopedia of Philosophy, article Existentialism; Wilhelmsen ...
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]
Sartre dealt with existentialist themes in his 1938 novel Nausea and the short stories in his 1939 collection The Wall, and had published his treatise on existentialism, Being and Nothingness, in 1943, but it was in the two years following the liberation of Paris from the German occupying forces that he and his close associates—Camus, Simone ...
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