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Being and Nothingness: An Essay on Phenomenological Ontology (French: L'Être et le néant : Essai d'ontologie phénoménologique), sometimes published with the subtitle A Phenomenological Essay on Ontology, is a 1943 book by the philosopher Jean-Paul Sartre.
It was first expressed in his 1943 work Being and Nothingness, where he wrote that: [T]here is freedom only in a situation, and there is a situation only through freedom [...] There can be a free for-itself only as engaged in a resisting world. Outside of this engagement the notions of freedom, of determination, of necessity lose all meaning. [2]
In philosophy, meontology (from Ancient Greek μή, me "non" and ὄν, on "being" (see ontology)) is the concept of non-being, an attempt to cover what may remain outside of ontology. French philosopher Jean-Luc Nancy distinguishes it as nothingness, as opposed to nothing. [1]
Jean-Paul Sartre's Being and Nothingness and Albert Camus' The Myth of Sisyphus discussed the topic. [1] Sartre and Camus expanded on the topic of absurdism. Camus wrote further works, such as The Stranger, Caligula, The Plague, The Fall and The Rebel. [6] Other figures include Martin Heidegger and Jacques Derrida.
The most prominent figure among the existentialists is Jean-Paul Sartre, whose ideas in his book Being and Nothingness (L'être et le néant) are heavily influenced by Being and Time (Sein und Zeit) of Martin Heidegger, although Heidegger later stated that he was misunderstood by Sartre. [19] Sartre defines two kinds of "being" (être).
Jean-Paul Sartre described the gaze (or the look) in Being and Nothingness (1943). [1] Michel Foucault, in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline.
The poem consists of six untitled books, in dactylic hexameter.The first three books provide a fundamental account of being and nothingness, matter and space, the atoms and their movement, the infinity of the universe both as regards time and space, the regularity of reproduction (no prodigies, everything in its proper habitat), the nature of mind (animus, directing thought) and spirit (anima ...
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]