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Like any resampling operation, changing image size and bit depth are lossy in all cases of downsampling, such as 30-bit to 24-bit or 24-bit to 8-bit palette-based images. While increasing bit depth is usually lossless, increasing image size can introduce aliasing or other undesired artifacts.
One of the simpler ways of increasing the size, replacing every pixel with a number of pixels of the same color. The resulting image is larger than the original, and preserves all the original detail, but has (possibly undesirable) jaggedness. The diagonal lines of the "W", for example, now show the "stairway" shape characteristic of nearest ...
(* The pixel number of 6,000x4,000 ist the number of "effective pixels". The sensor usually has a few extra rows of pixels on all four sides, which explains the sensor resolution of 24.3 MPixels often stated, but no information about the exact image size available.) 6,016 4,000 24,064,000 24.1 Nikon D3300 Canon M50: 6,048 4,032 24,385,536 24.4
NSS was the first to offer full-color (hand-colored) school photos starting in 1956. [17] Package printing and the Model 10 camera, a replacement for the original box camera , were introduced in 1957, the chief advantage of which was a separate film magazine, better lighting control , and better film metering . [ 18 ]
All major formats, thumbnail view (6 predefined sizes), full screen, magnifier, slideshow. Uses second monitor for fullscreen preview. Popups image gallery, detailed image informations, editing options at the image border in fullscreen modus.
A 50 mm (focal length) lens on an APS-C image sensor format (crop factor 1.6) images a slightly smaller field of view than a 70 mm lens on a 35 mm sensor format camera (full frame sensor). A 80 mm lens (1.6 × 50 mm = 80 mm) with a full frame camera gives the same field of view as this 50 mm lens and APS-C sensor format combination produces.
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