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The size, format, pose, and costume suggest a society portrait but distinctly depart from earlier painting styles. [5] In the work, bold, unnatural colors and swirling brushstrokes make up the woman's face. [6]: 53 Matisse's use of vibrant color to represent light and shadow is evident in the green line separating the face. [7]
Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. The composition is built from the geometric shapes that form the lines of the woman's veil, neckline, face, and arms, and by the fall of the light that illuminates her face and headdress. The ...
Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
The wood is thin (about 4–5 millimetres (0.16–0.20 in)) [14] and is most likely from the same tree as the wood for his later portrait, La Belle Ferronnière. [1] The Lady with an Ermine is also connected to La Belle Ferronnière, as well as Leonardo's earlier Portrait of a Musician, due to the three paintings including black backgrounds. [9]
The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513.. The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. [1] It shows an old woman with wrinkled skin and withered breasts.
Picasso often painted her as a tormented, anguished woman, which is most evident in his 1937 painting The Weeping Woman. [3] In this portrait, Maar's face is particularly remarkable for its experimental style, as the image depicts both the profile of the face and the frontal face in conjunction, which provides an opportunity to convey several ...
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