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The Ataris are an American punk rock band from Anderson, Indiana. Formed in 1996, they released five studio albums between 1997 and 2007. Formed in 1996, they released five studio albums between 1997 and 2007.
List of non-single guest appearances, showing year released and album name Title Year Album "The Radio Still Sucks" [38] 1999 Short Music for Short People "Looking Back on Today" (acoustic) [39] 2001 Warped Tour 2001 Tour Compilation "Butterfly" (Weezer cover) [40] 2002 Rock Music: A Tribute to Weezer "Pretty Pathetic" (Smoking Popes cover) [41 ...
Blue Skies, Broken Hearts...Next 12 Exits is the second studio album by the American pop punk band The Ataris.It was released on Kung Fu Records on April 13, 1999. The album cover is the neon sign for the Blue Skies Mobile Park in Santa Barbara, California, taken by Roe.
It should only contain pages that are The Ataris songs or lists of The Ataris songs, as well as subcategories containing those things (themselves set categories). Topics about The Ataris songs in general should be placed in relevant topic categories .
Anywhere but Here (stylized as ...Anywhere but here) is the first full release on Kung Fu Records by The Ataris.The album was released on April 29, 1997, and was characterized by a straightforward, upbeat, pop punk sound.
So Long, Astoria is the fourth studio album by American rock band The Ataris, released on March 4, 2003. The album's title song alludes to the 1985 film The Goonies , which is set in Astoria, Oregon .
On April 24, 2006, "Whatever Lies Will Help You Rest" was posted on the Ataris' Myspace profile. [5] On June 10, 2006, it was announced that the band had left Columbia Records . The band explained that they asked to be let go from their recording contract, since the release of So Long, Astoria , "almost every key person working at Columbia has ...
"In This Diary" is a song recorded by American pop punk group the Ataris. It was released in February 2003 as the lead single from their fourth album So Long, Astoria. "In This Diary" was released to radio on February 11, 2003. [2] It peaked at number 11 on the U.S. Billboard Modern Rock Tracks chart.