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Santana is the debut studio album by American Latin rock band Santana. It was released on August 22, 1969. It was released on August 22, 1969. Over half of the album's length is composed of instrumental music, recorded by what was originally a purely free-form jam band .
Santana signed with Columbia and released their self-titled debut album Santana. This album reached fourth place on the Billboard 200 and earned two-times platinum status by the American national certification. Next, Santana released Abraxas, in September 1970, which topped the Billboard charts and earned five-times platinum. Santana released ...
This music is electric, exciting and exploratory." [ 5 ] John Metzger wrote in The Music Box , "It's full of the spiritual bliss and driving rhythms that faithful fans have come to expect from Santana's concerts....Throughout the nine tracks on Live at the Fillmore 1968 , Santana churns out rhythms that melt into a symbiotic whole.
Santana liked the idea but went on to suggest that they recruit Rolie, Shrieve and Carabello for what would be called Santana IV (picking up where they left off on Santana III). After initial writing sessions and rehearsals took place in 2013, the group recorded throughout 2014 and 2015, resulting in 16 new tracks that combined their signature ...
Santana is the third studio album by the American rock band Santana. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and last album by the Woodstock-era ...
Zebop! is the 12th studio album by the American rock band Santana.The album had several releases, and various different color cover backgrounds, including pink and red. The album featured "Winning"; both the album and single were one of Santana's last top 40 hits until 1999 with their release of Supernatu
The Ultimate Collection is a 1997 compilation album by Santana. It is unique in that it includes material from his early Columbia days up to the 1992 Milagro release on Polydor. No other compilation album includes material from Milagro.
This album was far more experimental than the first four albums, and Welcome did not produce any hit singles. In 2003, the album was re-released with a bonus track, "Mantra", described by AllMusic reviewer Thom Jurek as "a killer improv tune with a ferocious bass solo by Rauch and insane drumming by Shrieve."