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The originator of the term was the French art critic Jules-Antoine Castagnary, who in 1863 announced that: "The naturalist school declares that art is the expression of life under all phases and on all levels, and that its sole aim is to reproduce nature by carrying it to its maximum power and intensity: it is truth balanced with science".
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Success prompted Ōkyo to start a school in Kyoto, where he could teach his new style. He was a talented art teacher, [9] and he soon took on many students. He taught them to rely on nature to render images in a realistic picture of light, shadow, and forms. The school grew popular, and branches soon appeared in other locations, including Osaka.
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
The humanist scholar Conrad Celtes compared Dürer's work to the literary work of the medieval philosopher and scientist Albertus Magnus who also based his work on the observation of nature. [8] Along with the Wild Hare, the Great Piece of Turf had been called one of the masterpieces of this part of Dürer's work. [9]
He is known for creating ultra-realistic giant paintings in nature using a biodegradable paint he invented himself. [1] In 2019, Forbes magazine ranked him among the 30 most influential people under 30 in art and culture. [2]
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
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