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Drew Struzan (/ ˈ s t r uː z ən /; born March 18, 1947 [1]) is an American artist, illustrator and cover designer.He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, Harry Potter, and Star Wars film series. [2]
Noburo Ofuji worked primarily with cutout animation, for instance using chiyogami (Japanese colored paper) in 馬具田城の盗賊 (Burglars of "Baghdad" Castle) (1926). [8] Le merle (1958) by Norman McLaren is a combination of (white) cut-outs and (pastel) backgrounds to the music of the French folksong "Mon Merle". [9]
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During video motion, screen tearing creates a torn look as the edges of objects (such as a wall or a tree) fail to line up. Tearing can occur with most common display technologies and video cards and is most noticeable in horizontally-moving visuals, such as in slow camera pans in a movie or classic side-scrolling video games.
Neustein's torn paper works, Erased Drawings, Magnetic Fields, Steel Wool, Carbon Copy Drawings adhered to unity and even uniformity of making objects or images. He transformed drawing into a three-dimensional practice Yigal Zalmona, Josef Maschek, Robert Pincus Witten and other international critics called that type of art "epistemic abstraction".
Davison created abstract collages from torn and cut coloured paper which, Hirst said, "blew me away", and which inspired his own work for the next two years. [19] He worked for two years on London building sites, then studied Fine Art at Goldsmiths College (1986–89), [16] although again he was refused a place the first time he applied.
Taklon is the common name for a synthetic fiber used in artist-quality paint, makeup, shaving and pin stripe brushes.It is a smooth, soft, and somewhat fragile polyester derivative devoid of any protein component or allergen elements and is therefore used in the cosmetic industries as a "green," "vegan," "allergy free" or synthetic alternative to animal hair brushes.
The Four Treasures is expressed in a four-word couplet: "The four treasures of the study: Brush, Ink, Paper, Inkstone." (Chinese: 文房四寶:筆、墨、紙、硯; pinyin: Wén fáng sì bǎo: bǐ, mò, zhǐ, yàn) [4] [5] In the couplet mentioned, each of the Treasures is referred to by a single epithet; however, each of these are usually known by a compound name (i.e.