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The uniforms of Australia's national sports teams are usually green and gold. [8] The golden wattle flower, and the colours green and gold, are also featured on the Coat of arms of Australia. According to the Australian government, "green and gold have been popularly embraced as Australia’s national sporting colours" since the late 1800s. [1]
360° panorama. Harmony in Blue and Gold: The Peacock Room (better known as The Peacock Room [1]) is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf.
In Rastafari, "Ites, gold and green" (often written as Ice, Gold and Green), refers to the colours associated with the Rastafari movement.The colours ites (red), gold (yellow) and green hold symbolic significance for Rastafarians and represent different aspects of their beliefs and identity.
Goryeo wine ewer with spout and handle repaired with gold lacquer by a Japanese collector in the early 20th century. As a philosophy, kintsugi is similar to the Japanese philosophy of wabi-sabi, an embracing of the flawed or imperfect. [10] [11] Japanese aesthetics values marks of wear from the use of an
The Shape of Green: Aesthetics, Ecology, and Design is a 2012 non-fiction book by the American architect Lance Hosey. The first book dedicated to the relationships between sustainability and beauty, it outlines a set of principles for the aesthetics of sustainable design. It was first published on 1 June 2012 through Island Press.
In a U.S. study by Lamancusa, blue is the top choice at 35%, followed by green (16%), purple (10%), and red (9%). [33] A concept proposed by Dutton in evolutionary aesthetics is that blue and green may reflect a preference for certain habitats that were beneficial in an "ancestral environment". [34]
Goblincore sweater. Second-hand and thrifted clothing feature prominently in the fashion of goblincore, often emphasizing comfort and brown, green, and clashing colours. The aesthetic often features idealised imagery of natural creatures such as snakes, frogs, snails, and earthworms; animal skeletons and rocks; plants and fungi like ferns, moss, and mushrooms.
The ferryman takes the gold up to a high place, and deposits it in a rocky cleft, where it is discovered by a green snake. The snake eats the gold and becomes luminous, allowing him to observe an underground temple where there is an old man with a lamp which can only give light when another light is present.