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The first consists of primary banjo players and the second of celebrities that also play the banjo This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The Vegavox was produced primarily in four-stringed plectrum (22-fret) and tenor (19-fret) versions; however, some five-string models were made as special orders. Peabody also developed a special electric banjo —first with Vega, and later with the Fender Company and Rickenbacker —called the Banjoline .
Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012 [1]) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo , violin, mandolin , and melodeon .
One of the most respected tenor banjo players in Ireland, Enda Scahill, had just played a finger-flying, knee-bobbing jig with other well-known traditional Irish musicians at the meet-and-greet ...
2014 American Banjo Museum Hall of Fame Award for Earl Scruggs. The American Banjo Museum Hall of Fame, formerly known as the National Four-String Banjo Hall of Fame, recognizes musicians. bands, or companies that have made a distinct contribution to banjo performance, education, manufacturing, and towards promotion of the banjo.
He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.
Gerry O'Connor (born 21 July 1960 in Nenagh, County Tipperary, Ireland) is a traditional tenor banjo player. As Earl Hitchener (music critic for the Wall Street Journal) said, Gerry O'Connor can be considered at the moment "the single best four string banjoist in the history of Irish Music". [1] He also plays mandolin, fiddle, guitar and tenor ...
The banjo used in old-time music is typically a 5-string model [17] with an open back (i.e., without the resonator found on most bluegrass banjos). Today, old-time banjo players most commonly utilize the clawhammer style, but there were numerous styles, most of which are still used to some extent today. The major styles are down-picking ...
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