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La resurrezione (The Resurrection), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Queen Marie Casimire of Poland , who was living in exile in Rome .
Carlo Sigismondo Capece (21 June 1652 in Rome – 12 March 1728 in Polistena) was an Italian dramatist and librettist. Capece was court poet to Queen Maria Casimira of Poland , who was living in exile in Rome , and is best remembered today for the libretto of La resurrezione (HWV 47, 1708) a sacred oratorio by George Frideric Handel . [ 1 ]
Its melody is first found in act 3 of Handel's 1705 opera Almira as a sarabande; [1] the score for this can be seen on page 81 of Vol. 55 [2] of Friedrich Chrysander.Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio Il trionfo del Tempo e del Disinganno (which was much later, in ...
The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war, La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane. Fazzini summarized the action of ...
Telemaco, ossia L'isola di Circe is a 1718 opera by Alessandro Scarlatti to a libretto by Carlo Sigismondo Capece (sometimes spelled "Capeci"), court poet to Queen Maria Casimira of Poland, living in exile in Rome, for the Teatro Capranica in Rome, where it was premiered during the carnival season.
The following other wikis use this file: Usage on br.wikipedia.org Dasorc'hidigezh (Carracci) Usage on el.wikipedia.org Κατάλογος έργων του Αννίμπαλε Καρράτσι
Created Date: 8/30/2012 4:52:52 PM
Marcello Mastroianni in 8½ (1963) by Federico Fellini, considered to be one of the greatest films of all time [1]. The list of the A hundred Italian films to be saved (Italian: Cento film italiani da salvare) was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". [2]
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