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The Diccionario de la lengua española [a] (DLE; [b] English: Dictionary of the Spanish language) is the authoritative dictionary of the Spanish language. [1] It is produced, edited, and published by the Royal Spanish Academy , with the participation of the Association of Academies of the Spanish Language .
abaca via Spanish abacá from Tagalog abaká abalone from Spanish abulón, from Ohlone aluan or Rumsen awlun. adios from Spanish 'adiós' meaning "goodbye" < latin ad deus "to god" (short for "a Dios seas", "a Dios seades", literally, "may (you) be (commended) to God")
Ñ, or ñ (Spanish: eñe, ⓘ), is a letter of the modern Latin alphabet, formed by placing a tilde (also referred to as a virgulilla in Spanish, in order to differentiate it from other diacritics, which are also called tildes) on top of an upper- or lower-case n . [1]
"Aquí Estoy Yo" (transl. "Here I Am") is a song written by Luis Fonsi, Claudia Brant and Gen Rubin; it was produced by Luis Fonsi and Sebastián Krys for Fonsi's seventh studio album Palabras del Silencio (2008), and it is performed by Luis Fonsi, Aleks Syntek, David Bisbal, and Noel Schajris.
"Canción sin miedo" ("Song without fear" in Spanish) is a regional Mexican song by Mexican composer and singer Vivir Quintana, first performed on March 7, 2020. It speaks of missing women, feminicides , and women's struggle for justice, [ 2 ] and has become an anthem for feminist protests.
This band had an underground hit, Tristeza de la Ciudad (City Blues). [4] When Miguel Abuelo, leader of Los Abuelos de la Nada, returned to Argentina, he reunited the band and invited Calamaro to play keyboards. The band was a big success; Calamaro wrote some of their greatest hits, such as Sin gamulán, Mil horas and Costumbres argentinas. [5] [6]
en la paz y en la guerra el caudillo. porque él supo sus armas de brillo 𝄆 circundar en los campos de honor. 𝄇 Coro ¡Guerra, guerra sin tregua al que intente de la patria manchar los blasones! ¡Guerra, guerra! los patrios pendones en las olas de sangre empapad. ¡Guerra, guerra! en el monte, en el valle, los cañones horrísonos truenen,
"El Son de la Negra" (lit. The Song of the Black Woman) is a Mexican folk song , originally from Tepic, Nayarit , [ 1 ] before its separation from the state of Jalisco , and best known from an adaptation by Jalisciense musical composer Blas Galindo in 1940 for his suite Sones de mariachi .