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When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste: Then can I drown an eye, unus’d to flow, For precious friends hid in death’s dateless night, And weep afresh love’s long since cancell’d woe,
An example of scansion over a quote from Alexander Pope. Scansion (/ ˈ s k æ n. ʃ ə n / SKAN-shən, rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse.
The Silent vāv [1] (Persian: واو معدوله, romanized: Vāv-e Ma'dule; Urdu: واؤ معدولہ, romanized: Vā'o-i Ma'dūla) is an element of Persian and Urdu orthography resulting when a vāv is preceded by khe and often followed by an alef or ye, forming the combination of خوا or خوی, in which the vāv is silenced.
Urdu in its less formalised register is known as rekhta (ریختہ, rek̤h̤tah, 'rough mixture', Urdu pronunciation:); the more formal register is sometimes referred to as زبانِ اُردُوئے معلّٰى, zabān-i Urdū-yi muʿallá, 'language of the exalted camp' (Urdu pronunciation: [zəbaːn eː ʊrdu eː moəllaː]) or لشکری ...
Then the thought occurred to me, 'There is the case where a monk, with the stilling of directed thoughts & evaluations, [1] enters & remains in the second jhāna: rapture & pleasure born of concentration, unification of awareness free from directed thought & evaluation — internal assurance.
The Ghazal tradition is marked by the poetry's ambiguity and simultaneity of meaning. [12] Learning the common tropes is key to understanding the ghazal. There are several locations a Urdu sher might take place in: [13] The Garden, where the poet often takes on the personage of the bulbul, a songbird.
Mauna (Sanskrit: मौनम्) or Maunitva (मौनित्व) means – silence, taciturnity, silence of the mind – as in मौनमुद्रा (the attitude of silence) and मौनव्रतम् (a vow of silence) or मौनिन् (observing vow of silence).
Nawab Mirza Khan Daagh Dehlvi (Urdu: نواب مرزا خان داغ دہلوی, 25 May 1831 – 17 March 1905) was a poet known for his Urdu ghazals. He belonged to the old Delhi school of Urdu poetry. [2] [3] [4] He wrote romantic and sensuous poems and ghazals in simple and chaste Urdu, minimising usage of Persian words.