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Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2]
The final movement (6/8, G minor) is the movement most strikingly similar to Smetana's Sonata in G minor (4th movement, Finale molto vivace). The first theme and the two-versus-three figures are nearly identical. The scoring accommodates the violin and cello as accompaniment figures to the piano until the arrival of the second theme.
Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The final cadence of this movement, from the minor subdominant to the tonic, is used to conclude many of Brahms's slow movements, such as that from the Piano Quintet. The voicing of the last chord is ominous: the highest note of the strings is the violin's open G string, while the piano plays a tonic chord (again with the third on top) two ...
A unique particularity of the minor chord is that this is the only chord of three notes in which the three notes have one harmonic – hearable and with a not too high row – in common (more or less exactly, depending on the tuning system used). This harmonic, common to the three notes, is situated 2 octaves above the high note of the chord.
Composed in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann is considered her greatest, most mature four-movement work. It is her only piano trio, [ 1 ] composed while she lived in Dresden, following extensive studies in fugue writing and the publication of her Three Preludes and Fugues For Piano, opus 16 in 1845.
Stabat Mater in G minor (Schubert) State Anthem of the Republic of Khakassia; String Quartet No. 1 (Grieg) String Quartet No. 1 (Nielsen) String Quartet No. 2 (Hill) String Quartet No. 6 (Spohr) String Quartet No. 9 (Schubert) String Quintet No. 4 (Mozart) Suite in G minor, BWV 995; Suite No. 1 (Rachmaninoff) Symphony for Organ No. 6; Symphony ...
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