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František "Frank" Daniel (April 14, 1926 – February 29, 1996) was a Czech-American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. [1]
In film, a sequence is a scene or a series of scenes that form a distinct narrative unit to advance the narrative, usually connected either by a unity of location or a unity of time. [1] Each of these sequences might further contain sub-sequences. It is also known by the French term, "plan séquence".
First CGI film created for viewing with 3-D glasses. Spawn: First extensive use of CGI fire in a feature film beyond sweetening. First film to integrate a CGI fabric onto a character's costume. [41] Titanic: First wide-release feature film with CGI elements rendered under the open-source Linux operating system. [42]
The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. [1] This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. [2]
Includes glossary, data dictionary, and issue tracking. Supports use case diagrams, auto-generated flow diagrams, screen mock-ups, and free-form diagrams. clang-uml: Unknown Unknown Unknown Unknown No C++ PlantUML, Mermaid.js Generate PlantUML and Mermaild.js diagrams from existing C++ codebase. Dia: Partly No No No
John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
The term nonlinear editing was formalized in 1991 with the publication of Michael Rubin's Nonlinear: A Guide to Digital Film and Video Editing [14] —which popularized this terminology over other terminology common at the time, including real-time editing, random-access or RA editing, virtual editing, electronic film editing, and so on.