Search results
Results from the WOW.Com Content Network
Canto Ostinato ("Obstinate Song" (as ostinato)) is a musical composition written by the Dutch composer Simeon ten Holt. The piece was completed in 1976 and performed for the first time in 1979 and is by far his most popular and most performed work.
In music, an ostinato (Italian: [ostiˈnaːto]; derived from the Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch.
Perhaps inspiration for the unobtrusive ostinato accompaniment came from de Falla's lullaby "Nana" in his Siete canciones populares españolas of 1914–15, drawn from the Andalusian tradition. Whereas Ginastera's lullaby is ABA with exact ostinati in the A sections, de Falla's is twenty measures of rhythmically identical ostinato with only ...
The tracks on Mwandishi include "Ostinato," the time signature of which is 15/8, "You'll Know When You Get There," and "Wandering Spirit Song." "Wandering Spirit Song" features Hancock's extensive use of tension and release, in which he builds the tension of the song by crescendos and an increasing number of musical voices, and then releases ...
Oh listen everyone To the miserable Which is below That sheltering Looking forward to your Goodwill on Withstands dew Tonight Oh what a blessed night
A new study (the first clinical trial of its kind) has shown that the GLP-1 agonist semaglutide — known by the brand name Ozempic — may help reduce not only alcohol cravings, but the amount of ...
The sample is in a major key and repeats ostinato-like through almost the entire track, occasionally complemented by a second horns sample from the introductory trumpet solo of "Pobjednički Čoček", [2] itself appearing three times in total. The rest of the song consists of nuanced percussion put through multiple permutations of filters and ...
The movement begins with a seven-note ostinato in the left hand that Ligeti indicates should be rhythmically and dynamically independent from the right hand. The right hand carries a folk-like melody that is first heard alone in single notes before it is juxtaposed in a loose canon with various transformed versions of itself, producing a lively ...