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Field Manual 12–50, U.S. Army Bands, dated October 1999, Appendix A, Official and Ceremonial Music, Appendix A, Section 1—Ceremonial Music, Paragraph A-35 "A-35. Signals that unauthorized lights are to be extinguished. This is the last call of the day. The call is also sounded at the completion of a military funeral ceremony.
The original concept of this call was played on the snare drum and was known as "tap-too", with the same rule applying. Later on, the name was applied to more elaborate military performances, known as military tattoos. The etymology of the military tattoo is from Dutch "tap toe", unrelated to the Tahitian origin of an ink tattoo. [1]
Kahnotation was developed from 1930-1950 by Stanley D. Kahn. A prominent figure of the International Tap Association, he instructed tap dance at his San Francisco studio for 45 years, and was dance director for the Ice Follies (now Disney on Ice). Kahnotation was first published in 1951, with continuing refinements until his death in 1995.
A reviewer from Music Week rated the song four out of five, describing it as "another storming anthem", that "will be another biggie and rouse interest in the album". [1] In a retrospective review, Pop Rescue noted that the song "has some delicious Italia House piano over a great dance beat", complimenting it as "a positive uplifting track". [2]
Tap dancing class at Iowa State College, 1942. Tap dance (or tap) is a form of dance that uses the sounds of tap shoes striking the floor as a form of percussion; it is often accompanied by music. [1] Tap dancing can also be a cappella, with no musical accompaniment; the sound of the taps is its own music.
The Power of 10 Rules were created in 2006 by Gerard J. Holzmann of the NASA/JPL Laboratory for Reliable Software. [1] The rules are intended to eliminate certain C coding practices that make code difficult to review or statically analyze.
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In October 2013, he got in touch with the Japanese duo Lullatone who conceived of making a musical instrument application that was based on visualizing music. [4] As Brandel described the intentions of making Patatap , "we [were] interested in the mixing of aural and visual senses, and wanted to bring that to a format that anyone can enjoy."