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[5] The use of Queen Anne styles in America, beginning in the 1720s and 1730s, coincided with new colonial prosperity and increased immigration of skilled British craftsmen to the colonies. [8] [9] [10] Some elements of the Queen Anne style remain popular in modern furniture production. [5] Carved shell and S-scroll features on a walnut ...
In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work.
The style diffused by the publications of designs in pattern books and adopted the adaptability and eclecticism that Italianate architecture had when interpreted by more middle-class clients. [16] This caused more modest homes to depart from the ornamentation found in French examples in favor of simpler and more eclectic American ornamentation ...
At the end of the 19th century and early into the 20th, a popular home style in the United States was the Queen Anne. The Queen Anne was clearly a transitional style, creating a bridge between the ...
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.
The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
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