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In line with the "feelings-as-information" account, [3] processing fluency feeds into judgments of aesthetic appreciation because people draw on their subjective experience in making evaluative judgments, unless the informational value of the experience is called into question. The impact of fluency is moderated by expectations and attribution ...
The PIGA was based on an accelerometer developed by Dr. Fritz Mueller, then of the Kreiselgeraete Company, for the LEV-3 and experimental SG-66 guidance system of the Nazi era German V2 (EMW A4) ballistic missile and was known among the German rocket scientists as the MMIA "Mueller Mechanical Integrating Accelerometer". This system used ...
Experimental aesthetics is the second oldest research area in psychology, psychophysics being the only field which is older. [1] In his central work Introduction to Aesthetics (Vorschule der Ästhetik) Fechner describes his empirical approach extensively and in detail. Experimental aesthetics is characterized by a subject-based, inductive approach.
Psychology of Aesthetics, Creativity, and the Arts is a bimonthly peer-reviewed academic journal published by the American Psychological Association. The journal covers research on the psychology of the production and appreciation of the arts and all aspects of creative endeavor. [1] The current editors-in-chief are Amy Belfi and Thalia Goldstein.
The Aesthetic Mind: Philosophy and Psychology is a 2011 book edited by Elisabeth Schellekens and Peter Goldie. The contributors try to provide a new understanding of aesthetics and the experience of art based on philosophical reflections and evidence from empirical sciences .
Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. [1] In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed ...
Aesthetic cognitivism is a methodology in the philosophy of art which relies on research in cognitive psychology, particularly using audience responses to art. Although the term is used more in the humanities , the methodology is inherently interdisciplinary due to its reliance on both humanistic and scientific research.
Practical Aesthetics is an action-based [1] acting technique originally conceived by David Mamet and William H. Macy, based on the teachings of Aristotle, Stanislavsky, Sanford Meisner, Joseph Campbell, and the Stoic philosopher Epictetus. [2] [3] There are two fundamental pillars of the technique: Think before you act, and Act before you think.