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Self-insertion is a literary device in which the author writes themselves into the story under the guise of, or from the perspective of, a fictional character. [1] The character, overtly or otherwise, behaves like, has the personality of, and may even be described as physically resembling the author or reader of the work.
Self-realization is a term used in Western philosophy, psychology, and spirituality; and in Indian religions.In the Western understanding, it is the "fulfillment by oneself of the possibilities of one's character or personality" (see also self-actualization). [1]
The Self, according to Jung, is the most important and difficult archetype to understand. [6] [5] It is fully realized as the product of individuation, which is defined by Jung as the rebirth of the Ego back to the original self. [4] The Self, besides being the center of the psyche, is also autonomous, meaning that it exists outside of time and ...
The characteristics of idealization and self-insertion are usually cited by fans as hallmarks of a Mary Sue character. [7] Gender studies researcher Catherine Driscoll writes that "the Mary Sue is generally associated with girl writers who have trouble distancing themselves from the source text enough to write about it rather than write themselves into it". [19]
Alexander Lowen identified narcissists as having a true and a false, or superficial, self. The false self rests on the surface, as the self presented to the world. It stands in contrast to the true self, which resides behind the facade or image. This true self is the feeling self, but for the narcissist the feeling self must be hidden and denied.
Level 5—Self-consciousness or "meta" self-awareness: At this level not only is the self seen from a first person view but it is realized that it is also seen from a third person's view. A person who develops self consciousness begins to understand they can be in the mind of others: for instance, how they are seen from a public standpoint.
The psychology of self is the study of either the cognitive and affective representation of one's identity or the subject of experience. The earliest formulation of the self in modern psychology forms the distinction between two elements I and me. The self as I, is the subjective knower. While, the self as Me, is the subject that is known. [4]
Conflict may be internal or external—that is, it may occur within a character's mind or between a character and exterior forces, (or point(s) of view). Conflict is most visible between two or more characters, usually a protagonist and an antagonist/enemy/villain, but can occur in many different forms. A character may as easily find themselves ...