Search results
Results from the WOW.Com Content Network
National Gallery of Art artwork ID: 613 ; National Gallery of Art artwork ID: 6704 ; National Gallery of Art artwork ID: 58135 ; The Met object ID: 359887 ; British Museum object ID: P_E-2-182 ; Cleveland Museum of Art ID: 1922.295 ; Cleveland Museum of Art ID: 1959.99.12 ; Authority file:
Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...
The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished. It has been in the Uffizi Gallery in Florence since ...
The Adoration of the Magi (Italian: Adorazione dei Magi) is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. [1] [2] This painting depicts the Biblical story of the Three Magi following a star to find the newborn ...
The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C.
Flight into Egypt, St. Etienne du Mont, France; Marriage of the Virgin, St. Etienne du Mont, France; Adoration of the Magi, St. Etienne du Mont, France; The Levite of ...
The Adoration of the Magi is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence , Italy , is considered his finest work, and has been described as "the culminating work of International Gothic painting".
The magi are thus shown twice, once in the foreground and again in miniature in the background, arriving with their retinue from Africa, Europe and Asia. An x-ray examination of the underdrawing shows that originally the European retinue of Melchior had him riding a horse and this was later changed to a dromedary.