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The ivory's history between then and 1625 is unknown – in that year it was offered by the leading antiquary Nicolas-Claude Fabri de Peiresc to the Papal legate Cardinal Francesco Barberini in Aix-en-Provence, becoming part of the Barberini collection in Rome. Peiresc mentions it specifically in a letter to his friend Palamède de Vallavez ...
Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Granite Calimpong (b. 1982) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986 ...
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Thanks to more than 150 artworks from their 4,000-piece collection, the Baroque institution has never looked fresher. These Collectors Hosted the First Contemporary Art Show at Barberini Palace ...
Memorial to Carlo Barberini: Santa Maria in Ara Coeli, Rome 1630 Sculpture Marble 26 [32] Statue of Carlo Barberini: Palazzo dei Conservatori, Rome 1630 Sculpture Marble Life-size 27 [33] Self-Portrait as a Mature Man (Bernini) [Wikidata] Uffizi, Florence 1630–1635 Painting Oil on canvas 62 cm × 46 cm (24.4 in × 18.1 in) NA [34] Saint Longinus
He was born in Florence to Carlo Barberini and Costanza Magalotti, and studied at the University of Pisa, [2] graduating in canon and civil law in 1623. His uncle, Maffeo Barberini, newly elected as Pope Urban VIII, made him archpriest of S. Giovanni in Laterano, and two months later, cardinal deacon of Sant'Onofrio, which was exchanged the following year for Sant'Agata de' Goti.
Several sculpted busts of Pope Urban VIII were created by the Italian artist Gianlorenzo Bernini, with varying amounts of assistance from other artists in his workshop: [1] Palazzo Barberini, Rome, 1623–1624. Marble. San Lorenzo in Fonte, 1626. Marble. Assistance by Giuliano Finelli. Galleria Nazionale di Arte, Palazzo Barberini, Rome, 1637 ...
The Barberini patronised painters such as Nicolas Poussin and Claude Lorrain. One of the most eulogistic of these artistic works in its celebration of his reign, is the huge Allegory of Divine Providence and Barberini Power painted by Pietro da Cortona on the ceiling of the large salon of the Palazzo Barberini.