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To craft a traditional Pomo basket, Somersal would have to dig the roots of the sedge, soak, and dry them to shape before weaving. [6] The tight weave of the Pomo baskets let them to a myriad of uses. Somersal recalled how her mother used the baskets for everything, including cooking acorn mush, gathering water and carrying babies. [5] Despite ...
Women had preserved Pomo basket weaving traditions, which made a huge change for the Pomo people. The baskets were wanted all over California; it was a piece of art that traders wanted. Grandmothers and daughters taught other Pomo women, who had lost the tradition of basket weaving, how to make the all-powerful baskets. [44] [failed verification]
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
Gavin Newsom apologizes to California tribes, including the Kashia Band of Pomo Indians in 2019. Kashia representatives are interviewed in the video. Essie Parrish (1902–1979) was an important Kashia Band basket weaver and a spiritual leader of the Kashia Tribe, she strove to sustain Pomo traditions throughout the 20th century. The current ...
William Ralganal Benson (1862–1937) was an Eastern Pomo basket maker from California. He and his wife Mary Knight Benson ( Pomo ) excelled in traditional basket making. Their work can be found in the collections of major museums.
The Cloverdale Rancheria of Pomo Indians is a landless federally recognized tribe with a membership of almost 500. In 2008, the Tribe acquired 80 acres (320,000 m 2) at the southern end of town. The Rancheria is a community of Pomo Indians who are indigenous to Sonoma County and speak the Southern Pomo language.
Mary Knight Benson (1877–1930) was a Pomo woman from California who excelled in basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson (Eastern Pomo, 1862–1937), partnered in basket weaving, and their work is in public museum collections.
She is the granddaughter of Pomo basket weaver Susan Santiago Billy. [2] She grew up outside of Washington D.C. in Virginia, where her father worked for the Veterans Administration. In 1973, Billy moved to California and soon after located to Ukiah, California, where she studied Pomo basket weaving under her great aunt Elsie Allen for 15 years. [3]
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