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The word katana first appears in Japanese in the Nihon Shoki of 720. The term is a compound of kata ("one side, one-sided") + na ("blade"), [6] [7] [8] in contrast to the double-sided tsurugi. The katana belongs to the nihontō family of swords, and is distinguished by a blade length (nagasa) of more than 2 shaku, approximately 60 cm (24 in). [9]
He insisted that the bold and strong kotō blade from the Kamakura period to the Nanboku-chō period was the ideal Japanese sword, and started a movement to restore the production method and apply it to katana. Katana made after this is classified as a shinshintō (新々刀), "new revival swords" or literally "new-new swords."
Hikoshirō Sadamune (相模國住人貞宗 - Sagami kuni junin Sadamune; [1] born 1298 Einin – 1349 in Shōhei [2]) also called Sōshū Sadamune was a swordsmith of the Sōshū school, originally from Gōshū (also known as Ōmi province) whose works are considered some of the finest blades ever created.
Wazamono (Japanese: 業 （ わざ ） 物 （ もの ）) is a Japanese term that, in a literal sense, refers to an instrument that plays as it should; in the context of Japanese swords and sword collecting, wazamono denotes any sword with a sharp edge that has been tested to cut well, usually by professional sword appraisers via the art of tameshigiri (test cutting).
Archaeological excavations dated the oldest sword in Japan from at least as early as second century B.C. [2]: 4 The Kojiki (Record of Ancient Matters) and the Nihon Shoki (History of Japan), ancient texts on early Japanese history and myth that were compiled in the eighth century A.D., describe iron swords and swordsmanship that pre-date recorded history, attributed to the mythological age of ...
Muramasa-ba (村正刃, "Muramasa-like edge") —The first particular characteristic of his is the frequent use of a wave-shaped hamon. The hamon of Muramasa is categorized as gunome-midare, that is, it forms randomized wave-like shapes. In particular, Muramasa's gunome-midare has very long, shallow valleys between a cluster of gunome shapes. [2]
Perhaps one of the most famed Kotetsu blades was a fake: that of Kondō Isami, the commander of the late Edo-era patrol force called Shinsengumi.However, this sword was not a Kotetsu, but instead a sword made by the foremost smith of that era (known in Japanese swordmaking history as the shinshin-to era), Minamoto Kiyomaro, and bearing a forged Kotetsu signature made by master signature-faker ...
Kiku-ichimonji (菊一文字) ("Chrysanthemum-straight line"), often romanized with a somewhat misplaced hyphen as Kikuichi-monji, is a collective name given to the katana (a type of Japanese sword) made by the thirteen swordsmiths who were in attendance to the Emperor Go-Toba in 1208.