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A violin in the process of being restored. The conservation and restoration of musical instruments is performed by conservator-restorers who are professionals, properly trained to preserve or protect historical and current musical instruments from past or future damage or deterioration.
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
The purported inventor of the violin is Andrea Amati. Amati was originally a lute maker, but turned to the new instrument form of violin in the mid-16th century. He was the progenitor of the Amati family of luthiers active in Cremona, Italy until the 18th century. Andrea Amati had two sons.
From these plans a template is constructed, which can be made from thin metal or other materials, and is a flat "half-violin" shape. The template is used to construct a mould, which is a violin-shaped piece of wood, plywood, MDF or similar material approximately 12 mm or 1/2" thick. Edward Herron-Allen, in 1885, specified a "full mould" with ...
The staccato coil allowed the bows to leave the string a fraction of a second before the 'fingers'. The violin stayed in tune by a sophisticated array of tuning arms and weights. The vibrato was produced by using an electromagnet to shake the tail-piece of the violin. The piano had 44 notes, half the number of keys found on a normal piano ...
Heinrich Theodore Heberlein Jr. (1843-1910) was a German violin maker from the Vogtland region that straddles modern day Germany and the Czech Republic. He was the son of Carl August Heberlein (1805-1879) and the grandson of the founder of the family dynasty Johann Gottlob Heberlein (1782-1856).
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