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The Moody Blues were an English rock band formed in Birmingham in 1964. The band initially consisted of Graeme Edge (drums), Denny Laine (guitar/vocals), Mike Pinder (keyboards/vocals), Ray Thomas (multi-instrumentalist/vocals), and Clint Warwick (bass/vocals).
John Charles Lodge (born 20 July 1943) [1] is an English musician, best known as bass guitarist, co-lead vocalist, and songwriter of the longstanding rock band the Moody Blues. He has also worked as a record producer and has collaborated with other musicians outside the band.
Justin Hayward (formerly of Marty Wilde's band) joined on guitar and vocals and John Lodge (an early bandmate of Ray Thomas) joined on bass and vocals. [5] The 'classic' Moody Blues lineup, active from 1966 to 1978, from left to right: Mike Pinder, Graeme Edge, Justin Hayward, Ray Thomas and John Lodge.
The Moody Blues released one album with Warwick on bass, Go Now - The Moody Blues #1 (USA release on London Records), whereas The Magnificent Moodies was released on Decca in the UK, with sleeve notes by Donovan and a different track listing. [2]
Moody Blues biographer Marc Cushman felt that Moraz' synthesized bass line was the most effective aspect of the song, and that the synthesized strings were also effective. [3] However, he noted that listeners were split on flute-like trills, with some listeners liking them but others finding them "unnecessary and unwelcome". [ 3 ]
"Ride My See-Saw" is a 1968 single by the English progressive rock band the Moody Blues. It was written by the band's bassist John Lodge, and was first released on the Moody Blues' 1968 album In Search of the Lost Chord. It was the second of two singles from that album, the other being "Voices in the Sky".
Music critic Maury Dean said that the song "combined a Byrds or Neil Young flavor with Jazz vocalics (complex chords) and a kicky, jiffy beat." [4] Billboard regarded the song as a change of pace for the Moody Blues, stating that it had a more "upbeat rock sound" than their typical songs. [5]
Although the other Moody Blues albums released in Deluxe Editions in 2006 featured their original quadrophonic mix (encoded as 5.1 surround sound), In Search of the Lost Chord had never been released in this format, and a new mix was not released until 2018 when a 5.1 mix was released as part of the 50th anniversary box set. [40]
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