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Methodological naturalism, the second sense of the term "naturalism", (see above) is "the adoption or assumption of philosophical naturalism … with or without fully accepting or believing it.” [25] Robert T. Pennock used the term to clarify that the scientific method confines itself to natural explanations without assuming the existence or ...
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions, and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity.
The evolutionary argument against naturalism (EAAN) is a philosophical argument asserting a problem with believing both evolution and philosophical naturalism simultaneously. The argument was first proposed by Alvin Plantinga in 1993 and "raises issues of interest to epistemologists , philosophers of mind, evolutionary biologists, and ...
The argument from reason is a transcendental argument against metaphysical naturalism and for the existence of God (or at least a supernatural being that is the source of human reason). The best-known defender of the argument is C. S. Lewis .
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
From 'Station Eleven' to 'Atlanta,' 'GLOW' and more, Christian Sprenger has shot some of TV's most beautiful images. But it wasn't part of his plan.
Realism, or naturalism as a style depicting the unidealized version of the subject, can be used in depicting any type of subject without commitment to treating the typical or every day. Despite the general idealism of classical art, this too had classical precedents, which came in useful when defending such treatments in the Renaissance and ...
The hypothesis that technology was used in the production of Renaissance Art was not much in dispute in early studies and literature. [4]In his treatise on perspective, early Baroque painter Cigoli (1559 – 1613) expressed his belief that a more likely explanation of the origin of painting lies in people conserving the image of the camera obscura by applying colours and tracing the contours ...