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3. Therefore, if naturalism is true, then no belief is rationally inferred (from 1 and 2). 4. We have good reason to accept naturalism only if it can be rationally inferred from good evidence. 5. Therefore, there is not, and cannot be, good reason to accept naturalism. [1] In short, naturalism undercuts itself.
Methodological naturalism, the second sense of the term "naturalism", (see above) is "the adoption or assumption of philosophical naturalism … with or without fully accepting or believing it.” [25] Robert T. Pennock used the term to clarify that the scientific method confines itself to natural explanations without assuming the existence or ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
The evolutionary argument against naturalism (EAAN) is a philosophical argument asserting a problem with believing both evolution and philosophical naturalism simultaneously. The argument was first proposed by Alvin Plantinga in 1993 and "raises issues of interest to epistemologists , philosophers of mind, evolutionary biologists, and ...
A self-refuting idea or self-defeating idea is an idea or statement whose falsehood is a logical consequence of the act or situation of holding them to be true. Many ideas are called self-refuting by their detractors, and such accusations are therefore almost always controversial, with defenders stating that the idea is being misunderstood or that the argument is invalid.
The hypothesis that technology was used in the production of Renaissance Art was not much in dispute in early studies and literature. [4]In his treatise on perspective, early Baroque painter Cigoli (1559 – 1613) expressed his belief that a more likely explanation of the origin of painting lies in people conserving the image of the camera obscura by applying colours and tracing the contours ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Objections to evolution have been raised since evolutionary ideas came to prominence in the 19th century. When Charles Darwin published his 1859 book On the Origin of Species, his theory of evolution (the idea that species arose through descent with modification from a single common ancestor in a process driven by natural selection) initially met opposition from scientists with different ...