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Notable in this regard is the Group of the Huge Lekythoi, specialised in decorating large grave vessels. During the second half of the 5th century, white-ground vase painting was used nearly exclusively for grave lekythoi. When that vase type went out of use around 400 BC, white-ground vase painting also ceased.
English: This monumental bronze vase was first exhibited at the Exposition Universelle (world's fair) in Paris in 1889. Its surfaces teem with applied life casts of spiders, a juniper branch, peacock feathers, lace, ribbons and snails.
The François Vase, (or François Krater), is a large Attic volute krater decorated in the black-figure style. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases.
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Porcelain bowl with coloured glazes and an incised scene of two boys playing in a courtyard, Yongzheng reign (1722–1735) Imperial orders demanded both individuality in the design of porcelain while also demanding large quantities of it. Understandably, these demands came from different sectors of the court that expected particular designs.
In the early 1920s, decorating manager Jack Walker brought Cliff to the attention of one of the factory owners, Arthur Colley Austin Shorter. Shorter nurtured her skills in ceramics and gave her space to explore her own ideas. He was married, but later married Cliff after his wife died (Cliff and Shorter were married in December 1940).
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