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The Magpie (French: La Pie) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet ...
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
In painting, symbolism was a fantastic and dreamlike style that emerged as a reaction to the naturalism of the realist painting and Impressionist trends, whose objectivity and detailed description of reality were opposed by subjectivity and the depiction of the occult and the irrational, as opposed to representation, evocation, or suggestion ...
In the 19th century book, A Guide to the Scientific Knowledge of Things Familiar, a proverb concerning magpies is recited: "A single magpie in spring, foul weather will bring". The book further explains that this superstition arises from the habits of pairs of magpies to forage together only when the weather is fine.
The magpie is a common subject in Chinese paintings. It is also often found in traditional Chinese poetry and couplets. In addition, in Chinese folklore, all the magpies of the Qixi Festival every year will fly to the Milky Way and form a bridge, where the separated Cowherd and Weaver Girl will meet.
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The Governor wrote the following heraldic description on the back of the painting: “The rising sun – or – Thereon an Australian piping shrike displayed proper – under a pomegranate flower amid leaves and standing on a gum-staff, raguly, gules and vert.” (or = gold, displayed proper = in its natural colours, raguly = with oblique lines ...
They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting. The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues , such as uprightness, purity, humility, and perseverance ...