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  2. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.

  3. Ornament (art) - Wikipedia

    en.wikipedia.org/wiki/Ornament_(art)

    Interior wall ornament in a Pompeian home would typically divide the wall into three or more sections under which there would be a dado taking up roughly one-sixth of the height of the wall. [7] The wall sections would be divided by broad pilasters connected by a frieze which bands across the top of the wall.

  4. Dado (architecture) - Wikipedia

    en.wikipedia.org/wiki/Dado_(architecture)

    In architecture, the dado is the lower part of a wall, [1] below the dado rail and above the skirting board. The word is borrowed from Italian meaning "dice" or "cube", [ 2 ] and refers to " die ", an architectural term for the middle section of a pedestal or plinth .

  5. Small Kitchen Island Ideas That Think Big - AOL

    www.aol.com/small-kitchen-island-ideas-think...

    Your kitchen island isn't just another surface to pile mail on (though we've all been guilty of that). It's the place for morning coffee and midnight snacks, for homework and for dinner prep, and ...

  6. Ionic order - Wikipedia

    en.wikipedia.org/wiki/Ionic_order

    The Ionic anta capital, in contrast to the regular column capitals, is highly decorated and generally includes bands of alternating lotuses and flame palmettes, and bands of eggs and darts and beads and reels patterns, in order to maintain continuity with the decorative frieze lining the top of the walls. This difference with the column ...

  7. Decorative arts - Wikipedia

    en.wikipedia.org/wiki/Decorative_arts

    The promotion of the fine arts over the decorative in European thought can largely be traced to the Renaissance, when Italian theorists such as Vasari promoted artistic values, exemplified by the artists of the High Renaissance, that placed little value on the cost of materials or the amount of skilled work required to produce a work, but ...

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